E 1027 Eileen Gray

E 1027 E for Eileen 10 for J (Jean)  being the 10th letter of the alphabet. 2 for B (Badovici) 7 for G as in Gray. 

My first glass side table bought to my first apartment was from IKEA. It was a minimal glass and metall table which looked more like a dentist table in my eyes. 

Industrial type design. I loved it. 

My design savvy relative visting me the same day I had found the right place for my new IKEA table told me she preferred the original design by Eileen Gray and not this beyond bad copy.  

Eileen Gray in her Bibendum chair. 

Non Conformist chair Eileen Gray

Brick screen Eileen Gray

Eileen Gray

That is how I was introduced to the design universe of Eileen Gray who was born in 1878 Ireland and died 31st of October in Paris 1976. 

Eileen Gray was an architect, interior designer and artist active within the International Style  dominating the 1950´s to 1970´s. 

The glass and metal adjustable table E 1027 was created for being able to eat breakfast, or any meal for that matter, in bed. 

Satelite mirror Eileen Gray

Roattino floor lamp Eileen Gray

Tube light Eileen Gray

Monte Carlo sofa Eileen Gray 

Villa E 1027 was designed by Eileen Gray 

but both Le Corbusier och Jean Badovici 

took credit for the inventive 

modern design that was so ahead of its time. 

In Behind Straight Curtains Towards a Queer 

Feminist Theory History of Architecture from 2007 Architect Artist and Scientist Katarina Bonnevier analyses Villa E 1027 from a feministic and queer perspective. Her theory is that Villa E 1027 is created for an alternative lifestyle and not with the patriarchal straight so called normality in mind. 

I learned this by 

listening to my favorite 

Swedish radio 

program Stil i P1 on Eileen Gray. 

Le Corbusier, Yvonne Gallis and 

Jean Badovici in a photo taken 

by Eileen Gray at Villa E 1027.

Adjustable table E 1027 was designed for Villa E 1027 CAPMODERNE

Stay in touch 

Jimmy 

From Lill Lindfors to Vicinius da Moraes and Baden Powell

Rehearsing for our show Nossa Bossa in the summer
heat by the river  in Penedo, Brasil. 

Growing up listening to and 

 loving Lill Lindfors.

Especially her brilliant album 

Du är den Ende from 1967. 

I was born 1967 so I guess 

I learned to to love the song 

Fri som en vind, meaning Free as a wind in Swedish, some time in the 70s.  

When I was in my 20s working with 

music theatre I understood 

the influence of the Brazilian 

music and learned to love Bossa Nova. 

When I heard the song Fri som en vind, 

Free as a wind, in Portuguese called 

Canto de Ossanha it all made sense  

 Had until then never checked who had written the song Fri som en vind with swedish text by Torbjörn Lindroth. The original song called Canto de Ossanha  is written by Vinicius da Moraes and Baden Powell and recorded in many versions globally since it was written in the 1960s. 

The 19th of October 2020 Sanny Alves, 

Marlon Mouzer and I recorded a bilingual duet of Canto de Ossanha in Swedish and Portuguese. 

 The 19th of October is 

the birthday of Vinicius da Moraes 

who was born 1913 and died 9 of July 1980. 

Click to see the post on our day in Lapa,

Rio de Janeiro recording Canto de Ossanha 

and our gig at Jazz Village Penedo. 

Our first sound check at Jazz Village Penedo.
Marlon Mouzer gitarr, Sanny Alves and me on lead vocals. 

In January 2021 we premiered 

our show Nossa Bossa at 

Jazz Village Penedo 

where we performed Canto de Ossanha 

in Portuguese and Swedish as a 

duet live for the first time apart 

from rehearsing by the river 

in our garden 5 minutes 

from Jazz Village where I live in Penedo. 

Our first live gig with Canto de Ossanha
as a duet at Jazz Village Penedo 
Sanny Alves, Marlon Mouzer and me. 

Togther with  Anderson Carvalho we create a 

 music video of our duet version of

 Canto de Ossanha. 

Anderson not only choreographed himself dancing, 

he cut the video so I call 

him our visual over all artist.  

Anderson Carvalho is Brazilian Dutch 

performance artist, dancer and choreographer

 born and raised in Fortaleza, Brazil. 

Currently living in the Netherlands. 

Canto de Ossanha  Fri som en vind

written by Vinicius da Moraes and Baden Powell. 

Swedish text by Torbjörn Lindroth 

with a new interpretation by me.

HERE IS OUR VIDEO 

shot by the river in 

our garden in Penedo as well as at

 Jazz Village Penedo. Dance choreography

 recored by Anderson Carvalho in Amsterdam, Holland.  

The owner of Jazz Village Penedo where we recored the song

  met Lill Lindfors in the 70s when she was visiting 

Rio de Janeiro. The owner of Jazz Village Penedo 

is a Swedish family the moved to Brazil

 in the 50s and hosted Lill 

as she visited Brazil in the 70s.  

Sanny Alves and me rehearsing in the garden
 at Casa da Ilha where we live in Penedo. 

It's a small world. 

Don't you think?

I have emailed Lill Lindfors and will send another mail with our video of Canto de Ossanha Fri som en  vind. 

Lill Lindfors has not answered but I am happy she knows how much she has inspired me and my work and so many with me. I hope she will tour and continue here artistry 

for many years to come. 

TACK LILL 

Jimmy 

 

Angra dos Reis to Ilha Grande - Life in Brazil

In a time when travelling is considered dangerous to your health the man going to work in the fishing harbor in Angra dos Reis is wearing a mask biking. The interpretation of prevention and

the use of a face mask in the world is different from culture to to culture that's for sure. 

We are in Angra dos Reis on Costa Verde to ship the material that need to get to our hotel project on the island Ilha Grande.  

Were are in the fishing harbor in Angra Dos Reis to meet the truck with wood and see to the shipping so the cargo gets shipped to Ilha Grande and delivered to the hotel Pé Na Areia 

About two and a half hour drive from Penedo 

where we live in the Serra da Mantiqeira mountains 

we get to Angra dos Reis by the sea 

on the Green Coast or Costa Verde. 

We are in the fishing harbor in Angra dos Reis

 already 05.30

We meet up with the trucker

 and inspect the cargo. 

 Ilha Grande is not far away from the harbor but boat is 

the only way of shipping so that's what we are here to do. 

All of the birds are waiting for the fishing boats 

to come in with a fresh catch. 

The trip to Angra dos Reis was two months ago. The hotel rooms, restaurants and mini galleria is right now being perfected. 

Hotel Pé Na Areia

Last year we started and this week we open the

 totally updated Pé na Areia on Ilha Grande. 

It has been a fast project considering the logistics of an Island. 

Pé na Areia

Right  now all the details are put in place 

and the new hotel rooms are being decorated. 

Pé na Areia, Ilha Grande, Costa Verde

Your bedroom, living room, beach galleria 

and favorite restaurant on Ilha Grande. 

Thank you so much for the chance to work with the update and reinvention of Pé na Areia on Ilha Grande. 

My first time in the fishing harbor in Angra dos Reis

Stay in touch 

Jimmy 

 

LA BIENNALE DI VENEZIA LIFETIME ACHIEVEMENT AWARD 2021 TO LINA BO BARDI

Giraffe chair Lina Bo Bardi 
Instituto Bardi 

Lina Bo Bardi, 

the Italian architect, designer, 

scenographer, artist, 

who lived and worked mainly in Brazil, 

is recognized fully in her home country 

of Italy and consequently the whole of Europe,

since she is the recipient of 

the Special Golden Lion for Lifetime Achievement 

in memoriam of the 17th International Architecture 

Exhibition of La Biennale di Venezia, 

that  opened  May 22, 2021 

Casa do Vidro Lina Bo Bardi 

The acknowledgment was recommended by Hashim Sarkis, 

curator of the Biennale Architettura 2021, 

and approved by the Board of Directors of La Biennale di Venezia.

In recommending this award, Hashim Sarkis 

expressed the following motivation:

Casa do Vidro Lina Bo Bardi 

«If there is one architect 

who embodies most 

fittingly the theme 

of the Biennale Architettura 2021, 

it is Lina Bo Bardi. 

Casa do Vidro Lina Bo Bardi 

Her career as a designer, editor, curator, 

and activist reminds us of the role of 

the architect as convener and importantly, 

as the builder of collective visions. 

Lina Bo Bardi also exemplifies the 

perseverance of the architect 

in difficult times whether wars, 

political strife, or immigration, 

and her ability to remain creative, 

generous, and optimistic throughout.

Casa do Vidro Lina Bo Bardi 

Above all, it is her powerful buildings 

that stand out in their design and in the way 

that they bring architecture, 

nature, living, and community together. 

In her hands, architecture becomes truly a convening social art.»

Just as one example, the design of the São Paulo Museum 

MASP click to see my visit at MASP

is exemplary in its ability to create a 

public space for the whole city, 

to create spaces inside that are flexible 

and to be open to experimental and more inclusive 

exhibitions such as Bo Bardi’s own exhibitions. 

The titles of these exhibitions alone, 

“The House as Soul,” “The Dignity of Architecture,” 

and “The Hand of the Brazilian People,” 

illustrate very strongly the power 

of architecture to bring people together.

Casa do Vidro Lina Bo Bardi 

The Special Golden Lion for Lifetime Achievement is a long overdue recognition for an illustrious career straddling between Italy and Brazil, for re-enlivening the role of the architect as an enabler of society, 

and for a woman who 

simply represents 

the architect 

at her best.»

Casa do Vidro Lina Bo Bardi 

Congratulations 

LINA BO BARDI 

Stay in touch 

Jimmy 

 

The becoming of Bucha

                 

            When I understood that this cucumber cousin     

           holds the sponge I have seen in bathrooms

            all over I decided to grow Bucha in our pergola.  

Bucha or Luffa cylindrica   was first described by 

Carl von Linné , but received the name  

from Johann Jakob Roemer.

Said and done. Bucha growing in the pergola.   

All plants  gave fruit apart from the  one that were cut 

down  by misstake (I hope) by our  Gardiner...  

When the Bucha is fully grown and ripe   

it is harvest time. 

The seed pod  just inside the green  peel is 

what we want to harvest unharmed. 

The seed pod is then cut open and washed clean

and all the seeds are removed . 

After drying in the sun and  cleaned again  the magic

 sponge material is ready to be used. 

My thought was to create a new shape  

using  pieces of the

 Bucha seed pod as well  

as well as whole  ones. 

Working at the veranda at Casa da Ilha

 I  stocked up on dried Bucha seed pods. 

By sewing the pieces of the Bucha together  with a  

green organic cotton tread I am starting to   learn  what  this

 sponge material is capable of.

I like sewing by hand and used a simple 

type of stitching that 

secures with  knots for durability. 

Sometimes sitting in the garden 

on a blanket stitching. 

A new form is slowly being born. 

A hat type of shape. 

The cut pieces of the Busha I  

will use  as well. 

No waste of any kind  preferably. 

A hat shape (or a sea urchin?) 

that I was born I  

want to   build a stand  

or  you  could call it a hanger  

attached with LED light this   Busha 

hat will become a  luminescent  

hat or we can call it a lamp. 

'

Really in love with 

this organic material 

and the possibilities 

it has.   

Bucha at sun set. 

Bucha in the morning. 

Hat is Chapéu in  Portuguese, 

could be a good name. 

Bucha - Chapéu seen from 

above or from underneath 

if you hang it in your ceiling. 

Time to cut the green thread or 

umbilical cord if  you may. 

The becoming of Bucha. 

The workshop  on the 

veranda where I  

have been cutting ,

 sewing and creating. 

I mean is it not fantastic 

what you 

can create from 

organic materia, 

right?

To create interior products with no negative 

impact on our planet is the idea. 

This is a good suggestion so far. 

Stay in touch! 

Jimmy